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Public announcements, propaganda, horrifically racist fairground games – all of these serve to help build an image of Columbia in a more immersive and believable way. Though audio diaries shouldn’t be out of the question, there are more interesting ways to approach environmental storytelling that BioShock Infinite plays with as Booker DeWitt explores the world, despite there being 146 Voxophones in game. The idea that Albert Fink’s greatest secret – and by extension, Jeremiah’s knowledge of the rifts – would just be left lying around backstage or would be recorded at all seems a little silly to say the least. In the Voxophone, which can be found backstage at the Good Time Club in a dressing room, Jeremiah Fink talks to his brother, musician Albert Fink, about the rifts in space and time through which Albert is plagiarizing songs like Tainted Love and God Only Knows.

The BioShock Infinite Voxophone “Changing My Tune,” for example, reveals one of the most interesting aspects of Columbia. RELATED: BioShock 4 Should Be a Spiritual Successor, Not a Sequelįor a start, while most of the audio diaries provide interesting insights into the backstory, many of them can be more than a little immersion breaking. Instead, BioShock 4 will need to find exciting new ways to tell environmental stories, while relying far less on audio diaries than previous games. BioShock 4, however, should not continue the trend by letting the series’ focus on environmental storytelling fall by the wayside in favor of more tightly scripted linear narratives.

However, in all three BioShock games, skipping the audio diaries means missing out on vital details about the world that help explain events and contextualize key characters far more than the main checkpoints of the story.īioShock Infinite spent far more time with specific characters like Elizabeth, and the city of Columbia had a far larger active population than Rapture’s, almost all of whom had already become Splicers by the time of the player’s arrival. There are moments where characters like Andrew Ryan finally appear in cutscenes, and Atlas, AKA Frank Fontaine, does speak to the player via shortwave radio. The original BioShock tells most of its story through its 122 audio diaries.

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Renamed Voxophones for BioShock: Infinite’s early 1900s World Fair aesthetic, the only way to understand the full story of any BioShock game so far has been to search for and to listen to as many audio diaries as possible. Audio diaries are the backbone of BioShock’s environmental storytelling.

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